THE PRISONER - EXPLAINED

Many reviews were quite negative and a lot of people seemed to not understand the story. I thought it was terrific - a finely worked piece of art. Here is the explanation of the story for those who didn't get it:

Six (James Caviezel) in the real world was determined to figure out what he had been working on for the secret mega-corp headed by the Two character (Ian McKellen) - it turns out Two is an eccentric rich fellow who wants to fix broken people and constructed a Matrix-like Village in which these peoples' minds could live and prosper within the confines of the construct and its rules. Another person held the construct in their mind - the wife at the beginning and the doctor/love interest later ... and this person had to be asleep or the construct began to unravel (the holes). The whole point of the story was that Two wanted to replace himself and he cultivated Six because of his strong moral compass. The trials and tribulations Six went through were to test his mettle and by the end he proved himself and Two was able to move on. Six indeed became a prisoner, but a willing prisoner - bound by love.

IN HINDSIGHT, SO TRUE

Click for >> Clip #2 ... 1:10 to 1:30 ... priceless

HEROES FINALLY WORTH WATCHING AGAIN

I enjoyed Season 1 of Heroes but it just became incomprehensible and downright ridiculous as Seasons 2 and 3 unfolded ... there were so many new characters, time switch-backs, subplots, secret organizations and double-crosses that it just became laughable. After most episodes you found yourself going "who cares!?" Thankfully the powers-that-be seemed to find the edit button and have pared Season 4 down to size and returned the focus back to the original story (using a time-travel plot device and an interesting new Baltar-like hero/villain) ... and the show holds your interest again with Sylar the dark villain once more. If they would only write Claire's father's character out of the show! [And if they could move the scenes along more quickly - gads between commercials very little seems to happen]

V Returns Tonight on ABC

The campy 80s sci-fi series V returns tonight on ABC. Sci-Fi Channel has been airing the old series in saturation and you can see why sci-fi wasn't taken very seriously for a long time there - when you only spend $12 on your special effects, sets and costumes you get shlock. Early word is the reboot is good.

Around L.A. some trickster put up these signs on the bus stop ads (funny):

SORRY EJO, GONNA SKIP 'THE PLAN'

The review on io9 of the video release of the telefilm The Plan - the "last" installment of the Ron D Moore version of Battlestar Galactica confirms all of my worst fears. I'm going to take their recommendation and ignore it - there's no point in reheating and making a new sauce for spoiled food.

UFO

This was a fun show. The theme is great (Hawaii 5-0ish) ... supposedly UFO is being remade too and they'll screw it up for sure (unless Bowie's son [Moon] or Coppola's son [CQ] directs - they get the zeitgeist) ... I've got my own thoughts on the reality of UFOs here ... more on the original series here



... and here's a fun new lamp for alien abductee believers

io9's BSG THE PLAN TEASERS

Bah. My worst fears realized. I had hoped the last installment of Battlestar, The Plan, would redeem to some extent the gawdawful ending to the series but these new io9 teasers utterly negate that hope. Instead of getting inside the Cylons' heads and seeing things as they do it looks as if its soap-opera time and they'll merely replay scenes we've already seen (Doral blows up, Cavil tells Boomer "one shot in the head," etc.) with the priority being to connect-more-dots to flesh out the tortured, convoluted mess of Ron Moore's finale. Ellen as the Fifth - it's the Pam wakes up in Dallas of our era.

SGU REVIEW

Okay, I wound up watching the Stargate SGU 2-hour opener and it was okay. But, really, they should pay royalties to RDM and David Eick, et al. It is one thing to pay homage to good work with your own work, it's quite another to lift another work almost in its entirety. This image of the cast their equivalents sorta sums it up (glad to see that nice kid from Make Me a Supermodel got some work): we get the stereotypical edgy black guy, the Roslin character, the Helo character, Summer Glau slumming, the Baltar ripoff, Apollo, the Seth Rogan type (kill this character quickly please), and Adama.

HOW TO DO A GREAT ENDING

The best sci-fi show ever in terms of telling a cohesive tale with a very satisfying ending is Lexx. All the story threads come together rather seamlessly by the finale, and many have had their individual day in the sun. The mix of sci-fi, horror, camp, and satire was a rare gem indeed during its run.

I was fortunate to get to meet Xenia Seeberg the night before the last ep aired here in America. She's a sweetheart and as stunningly gorgeous in person as onscreen. For those of you who have not watched Lexx yet, give it a try. If intelligent satire is not your thing, or you don't understand camp - it's not for you. But it is absolutely brilliant - with lacerating insights and knowing winks that we the audience get to share. It is a celebration of science fiction, storytelling and a wink and a nudge to entertainment industry insiderness.

High points are the First Season 1st ep (Season 1 was four two-hour tv movies); Season 1, ep 4; the story arc of Mantrid in Season 2 and Lykka's end; the meditation on good/evil/heaven/hell in Season 3; and the hilarious romps through various genres in Season 4: vampires, mummies, guns, UFOs, dumb Americans, internet porn cams, Gen-Xers, right-wing US militias, Vietnam, underwear-sniffers, and evil little children (with great guest stars along for the series' run, like Britt Ekland, Rutger Hauer, Tim Curry) make it a classic.

Watch the entire thing, from beginning to end, and if you're in the business learn how to do a comprehensive story arc for your whole series with a satisfying and poignant end (er, that means you RDM).

IGNOMINIOUS END TO BSG

Yikes. Not only did Sci-Fi Channel, now SyFy (ugh) make us wait and wait and wait for BSG Season 4 then Season 4.5, now they are pushing back the telemovie The Plan to 2010, which is where they've already pushed Caprica. The Plan may even go direct-to-DVD and never air, and I've read that Caprica production has been suspended (possibly due to bad scripts). Boy, from a Peabody Award for the brilliance of the mini through Season 2.5 to this. Ron Moore really killed his Golden Goose when he checked out mentally on BSG around mid-Season 3.

BATTLESTARGATE

Well the dark and gloomy aesthetic of Ron Moore's version of Battlestar Galactica has spawned a copy. The Stargate franchise (which has gone on about 5 years too long already) is now set to air Stargate Universe [or SGU] and it features a crew trapped on a vessel trying to get home (kind of Voyager meets BSG 2003). It looks like it will be well-made but I think the SGU creators came a little too late to the dank-and-dreary party for the fans with taste. Probably this will be a hit among the mainstream because they are always years behind.

BATTLESTAR MOVIE - GLEN A LARSON VERSION

I say a hearty YES to this development. Singer has a sleek and refined visual sense and the core elements of the story remain strong. After Ron D. Moore's version went straight down to the gutter from the once lofty heights of the mini and 1st and 2nd seasons, I welcome a new interpretation by a fine director ... anything to get the bad taste out of my mouth from that terrible Season 4 and ridiculous and idiotic finale to the RDM version!

SORRY - I DESTROYED BATTLESTAR GALACTICA'S ENDING

The best of intentions can go terribly awry ... and I've wondered if the terrible ending to Battlestar Galactica is my fault. Hear me out - I'm not crazy. Ron Moore and David Eick are on record for saying that they intentionally would take the Battlestar story in a different direction other than what the fans wanted (since they monitored message boards and other feedback regularly) just to thwart them. They seemed to derive some kind of juvenile and perverse pleasure in crushing fan hopes and expectations.

Although not my normal type of night out I went to the 6.6.7 BSG "All Access Event" at the Hollywood CineramaDome because I thought there might be a Q&A and I wanted to assert whatever influence I could through my question. I had grown to love the show (but not Season 3 so much) and was deeply worried Moore and Eick would fuck up the ending. Often, really most of the time, stories these days have lousy endings - especially modern television and film. With the Greek God pantheon and Earth referenced in the Battlestar story it seemed obvious the only proper way to end it was at Earth prior to the advent of the Classical Age, i.e.; prior to 1000 B.C. - clearly the end of the story was going to be the beginning "All of this has happened before ..."

I got to the CineramaDome expecting a bunch of nerds and maybe some tech people and maybe one of the creators (Moore or Eick) and a few clips and then the panel. Little did I know Sci-Fi Channel would lay out top dollar for a full-on press rollout. Red Carpet, entertainment, cameras, the main stars, and both Moore and Eick - and a theatrical presentation of the big Jamie Bamber-monologue-trial episode which ended the 3rd season.

I got to the mic and asked my question/made my statement: Kudos to the cast present first, then I focused on Moore and Eick, "It seems to me you've painted yourselves into a corner: with the Greek God pantheon and the references to Earth, the only way you can properly end the story is in the eastern Mediterranean between 1500 and 1000 B.C." This provoked an intense stare from Eick (sitting in a director's chair onstage alongside Moore, Mary McDonnell, Lucy Lawless, Jamie Bamber, and Katie Sackhoff) for about 10 solid minutes (even after I returned to my seat). Moore jokingly said into the microphone he held in response to my remarks, "Security, please escort that man from the building," - to audience laughs, thankfully. I also urged Moore and Eick not to end the show with a lame time-travel device.

The writers' strike hit and the 4th Season was delayed forever it seemed and then Sci-Fi execs decided to milk DVD sales and postponed the second half, Season 4.5, even longer. Well, during that delay Ron Moore spent a little too much time in the sun and composed an entirely new ending to the story: god did it; Kara, Head-Six, Baltar are angels; Hera is mitochondreal Eve; the Colony; Ellen is the 5th; ad nauseum.

It has come out later - after the show ended - that Moore and Eick indeed planned an ending which had the characters give rise to the Classical Age Earth legends - and scuttled it. I went to that June '07 event with the heartfelt intent of steering the ending into the proper direction and it looks like it backfired royally. So to the fans, if I'm even partially responsible, I apologize. We certainly deserved better than the terrible terrible ending we got.

CRAPRICA - TEEN ANGST BEHIND CYLON GOD

I finally saw Ron Moore's DVD-before-TV Caprica. Glad I didn't rush to see it. Egads, I can hardly watch the original Battlestar mini without thinking of what came later (Season 4 and the finale and now Caprica) to pollute such a great show. All the mystery, all the depth and complexity to the story and the characters of the reimagined Battlestar Galactica reduced to god did it and angels walk among us ... and now, it's all a teenage girl's virtual world. Blechhh

Caprica was pretty to look at - not to the level of Baltar's house in Battlestar - and there was some of the moodiness and alien-ness of Battlestar's Caprica representation but it was told to us more than shown and shown poorly (lame tattoos and ganster patois don't count for much).

So the Cylons were created by man: a sleazy defense contractor/computer genius downloads his dead daughter's self-coded avatar into his prototype combat robot so he won't lose the contract, and this snooty, priveleged little smartypants is associated with a private school that thas faculty and students that have secret monotheistic beliefs.

Moore should rename the show All My Robots and put it on the Soap Opera Channel

TERMINATOR TERRIBLE

The trailers looked pretty good, and the advance artwork looked good, but the film itself Terminator Salvation was simply awful.

And what is it with red-eye robots (Matrix, Battlestar, and Terminator)? All these sequels are beginning to feel like the same story: Matrix morphs into Terminator into Battlestar into HAL 9000. This guy McG is a terrible terrible director, absolutely artless and obviously without an ear for dialog. The script? Full of every action movie cliche and high-school level prose. What garbage. And like the cigarettes and fuel for the jet-skis in Waterworld, where did the human Resistance in T4 get all of their military gear? How is it possible for Hollywood to fuck up these iconic franchises? A retarded squirrel could do better. Sam Worthington ... boring. New Chekov as Kyle Reese ... oh please. The little black girl who knows her way around munitions? How multicultural. The Oracle at least offered Neo a cookie, Jane Alexander only gave the little girl a carrot. And did you see the guy in the distance with the blower making smoke in the LA scene were Kyle Reese and the little girl and the Sam Worthington terminator were the only survivors - who was that guy? On the imagination scale 1-100, McG's T4 gets a 12% for originality.

REVISITING A TERRIBLE ENDING

Now that several weeks have passed since the disastrous Ron Moore-scripted ending to Battlestar Galactica, it has had time to sink in and I've realized it was even worse than I initially thought. Any fan who has taken the time since the show ended to go back and watch the mini or episodes from Seasons 1 and 2 knows just how far afield Moore took the show in Season 4 and especially 4.5 and then simply led it over a cliff in the finale. It is a quintessential example of creative hubris dooming a show. Instead of having so little sleep due to his commitments to several other projects he should have spent the time watching every episode of his Battlestar Galactica creation prior to plotting out the finale eps and writing his finale. What he came up with was nothing short of an abortion.

What made the show interesting and set it apart was Sci-Fi Channel executive Michael Jackson's suggestion that Moore play up the religious conflict and thus we had a human-made robot race that was monotheistic and a human race that was polytheistic. For once a mainstream Western science fiction show didn't have a conventional point-of-view from its characters. The names and traditions and legends of the polytheists had a direct line to our Earth of the Classical Age and a bit earlier in the Bronze Age. The whole point of the show was a people, crushed by war, were on an exodus of survival to a mythic place known as Earth.

And what happened in Moore's finale? God did it. Angels walk among us. Give up your technology (and soap and antibiotics) and live among the dirty early hominids and breed with them.

The Opera House vision - a key thematic throughline of visual interest and surreal religiosity was reduced to the ridiculous - a these-pieces-belong-on-these-squares moment. Hera? Suddenly she's Mitochondreal Eve - a minor character elevated to the fulcrum of the finale - bah! And Kara, our reborn rabble-rouser who hears the "unstruck music?" - oh, she's and angel that goes *poof*

One has to wonder, in hindsight, if Moore and the gang got lucky early on in creating such a compelling and at times profound show only to desecrate it with their terrible ending, or if they simply didn't care - position in the industry and other jobs beckoned. The characters and we the fans deserved much better.

STAR TREK REVIEW

Got a chance to see it at Paramount last night. Liked it a lot, didn't love it. Here is a link to my IMDB review:radii Star Trek review

I'M SO LAZY

Thanks for continuing to visit even though the show's over. I am so lazy. I should be finishing the Battlestar: Variant 1 fan fiction but I'm procrastinating (but wait till you read how I kill Athena) ... I recommend the following as brilliant entertainment now that there is no more Battlestar to watch: Superjail, Xavier: Renegade Angel, Moral Orel and of course Robot Chicken

GO TO SITREP

Hi kids, I've kind of lost interest in this blog now that the show's over ... Caprica looks meh to me. I am still working on the fiction for the Battlestar: Variant 1 site (linked upper right) and will give you that better ending - 0oh, the things I have planned ... but for Battlestar stuff I suggest hanging out at Galactica Sitrep

WELCOME

Now that the show is over most visitors will probably be shiny new visitors who stumbled upon the site or had it referred to them. Galactica Variants chronicled and critiqued the show from early 2007 on ... you'll find reviews, criticism, and theory here ... and some fun images. In the blogosphere I was probably considered one of the show's harshest critics. BSG gave us excellence I grew to expect, but by the midpoint of Season 3 things were going awry and Season 4 wasn't as good as earlier seasons then Season 4.5 was pretty terrible and the two-part finale simply awful. If you're new to the show, you might want to quit watching at the end of Season 3 or the mid Season 4 episode Revelations.

WANT A BETTER ENDING?

[Daybreak, Pt. II Review updated in below post]
There's little point in adding new posts to this site with the show over and all, but I might for a while. I'll add to the Death By Plot-Hole post (next one down) over time as I count the ways of lame. For now my attention is turned to finishing the 'episodes' for my version of the ending: Battlestar: Variant 1 [which you can link upper right]

I've had the story done in my head for many months but I just haven't had the time to type it out and fine-tune it yet. The first two 'eps' are done and part of the third, and the synopses are up for them all. I think you'll find it is much more satisfying than the weak Season 4.5 and the lousy god-did-it and angels-on-my-Battlestar ending we got.

I had originally intended to have all the work done over the interminable 9-month delay between Season 4 and 4.5 that SciFi imposed upon the fans, but I didn't get to it. Now more than ever we need a good version and I'll give it to you*.

Some stories are in script format, others in more of a novel format and some a mixture. This isn't anything I can sell - it is a labor of love since I did so dearly love the show through Season 2 and on-and-off after that. Enjoy.

*[for those of you who think it presumptuous of me to write a "better" version, let me save you time from posting in the comments: "You're a jerk/idiot/a-hole/smug/pretentious/arrogant/full-of-hubris/twat/clown/moron ... etc. etc." There I've done it for you. Now go enjoy it]

DEATH BY PLOT-HOLE

... updated ...
When mystery is replaced by the mundane
[this post will be a work in progress - I'm not sure I really want to compile a list of all the plot-holes and pick them apart individually (I'm sure someone will do that) - maybe I'll just do the most egregious of them]


Battlestar Galactica reimagined hooked us for a few key reasons - aspects of the show which immediately declared it was special, starting with the mini.

The Look: Cinematic, rich, and high-style. Elegant architecture and design, good-looking people, saturated color, high-quality. The Story: A sinister plot, lust, betrayal, war, exodus, survival, technology, mystery, supernatural events. Themes: Loss, flight, fight, survival, aging, rogue technology, maintaining the veneer of civilization. The Tone: Adult, practical, dark, philosophical. The Sophistication of the Subject Matter: High-level, demanding of the audience that they think. The Sexuality: Adult, realistic. The Music: Minimalist, ethereal or militaristic by turns.

It seems to me that the character partisans are quite satisfied with the finale and will never be bothered by the glaring and numerous plot-holes. That's okay - take away from it what you will.

We plot people cannot reconcile the contradictions, omissions, cop-outs, dangling story threads and be satisfied with the Kumbaya ending served to us.

What is frustrating for us is that we were teased with such promise from the beginning and there were outlines of brilliance and hints of something special.

I think I have the perfect example to explain:

We are shown and told that the skinjob Cylons can resurrect and that they can access a reservoir of data that consists of the common memories of their model line.

We see the Hybrids living in their tubs of special goo as the sentient central processing units of the Base Ships. We see the special goo (a bit slimier) in the resurrections tanks. We are told that they can exist iteration after iteration, and we know that the skinjob models have been around at least two to three decades.

So through high style production design and set-dressing, cool lighting effects and some good visual effects, as well as sound effects and music, a mood was created that added to the sense of mystery about all this. We saw them put their hands on the interface panels with the liquid and gain knowledge and communicate through them. The lighted red panels also seem to be Matrix-like data streams, as well as the projected light symbols.

We are shown and told as D'Anna repeats suicides so she can resurrect - and in that space between death and resurrection see more pieces of the puzzle of the mystery of the Final Five and that there are answers to be had. When she finally does see them in the amazing coincidence of a supernova illuminating a crystal in the Temple of Five/Temple of Hopes and sending a beam of light down onto the mandala symbol she dies from the experience as her eyes go grey but she says, high with spiritual feeling, "so beautiful, so beautiful." We as the audience we waiting to see this great beauty, this great truth. And the "truth of the Opera House" turned out to be certain people standing in the right place at the right time so a deal could be struck between Cavil and the rest of them - but the deal went south because Tyrol kills Tory for murdering a human girl he didn't really love.

This is the example: Not long after learning he is a Cylon Anders is part of the boarding party on the damaged rebel Base Ship and longs to put his hand on one of those interface panels. How we as the audience longed for him to do it. What would happen? Would the Base Ship and Hybrid instantly recognize him? Would it change the equation instantly? It was a colossal tease. A tease that was never realized.

There was always something mystical about the goo - in resurrection it played the role of the birth canal and emergence into the light (and in No Exit we finally saw the light [the red tunnel effect] from Ellen's POV as she awoke).

For those of us that like the science and design elements of our science fiction those interface panels, the colors, the lights, how it works, were nagging questions. Sam putting his hand on the damaged Base Ship panel would have answered a lot of those questions.

Instead what we got was a diminished version - the mystery made mundane.

I have noticed that at almost every turn in the show Moore has chosen to diminish that which seemed grand or mysterious. Romo was this great, intriguing character who was potentially completely amoral - or perhaps a Diogenes-like self-styled judge of men and after his appearance as Baltar's lawyer the audience was left sort of breathless, like who was that? ... then they brought him back to satisfy fan demand, I guess, and had his character behave in a way that did not comport with what we'd seen before. He was weaker, unstable, not the confident, controlled man we knew previously. And by the finale, when he was trotted in front of the audience like a popular pole-dancer and we were told he was now "president" the diminishment was complete. His character had been completely emasculated and all mystery about him gone.

The Hybridization of Anders was obvious and was not very satisfying. Did the other Cylons bring some special goo over or could any liquid do? Didn't he start spouting Hybridspeak rather suddenly after being hooked up to Galactica? There was zero transition between his "word salad" from his head injury and Hybridspeak. The Base Ships were themselves Cylon and the Hybrid a part of a living thing. The Galactica was man-made contstruct with various machine parts.

The point? When Sam's tank is brought up to the upper deck of the C&C and is networked to control Galactica and, later, when the other Final Fivers put their hands into the liquid goo to download resurrection technology to Cavil as part of their deal which Hera's Opera House journey to C&C somehow facilitated we have no more understanding of how it works. So the liquid is the information medium? Or is it merely a conduit? Only Ellen seems to remember anything of significance from their earlier lives - including resurrection technology, so touching the water unleashes those memories? Gee, if that's the case wouldn't it have been nice to see Sam touch the water in that previous ep and experience some memories? This is what I'm talking about with missed opportunities and dangling threads. Better writing would have done something like this and made more whole the meaning of the liquid and the lights and what the Cylon skinjobs experience when they interface with it and how they percieve their former lives and their relationship to the memories of other models in their line.

[more coming]

Dangling Story Threads:

DAYBREAK, PT II - REVIEW

[Updated - 2nd viewing Review at end of post]
Git yer Lynard Skynard and put on Freebird ... It's a wrap! No more Battlestar Galactica reimagined. Show's over. All that remains are the extras: The Plan backstory telemovie and the myriad of extended scenes, deleted scenes, director's cuts, podcasts, ad infinitum (whatever NBC-Uni SciFi, er SyFy can sell you).

The first thing you can take away from Daybreak, Pt. II is a reaffirmation that this show should have run at least 5 seasons to properly tell its story and whomever is responsible for aborting the run of the show killed it. Remember the info-dump in No Exit? I hope you were taking notes through this ep because the Exposition Monster made a return engagement for the finale, although it dropped a lighter load this time.

First, here's the rundown of "the answers," (what we plot people love) then I'll get into the actual review. The character people should have been orgasming throughout much of the ep, because we got overwrought and treacly farewells.

The Opera House: cleverly done, but diminished
Head Characters: just short of ridiculous
Cylon God: or The God - only talked about by Head characters
Unseen Power Guiding Events: ibid
Kara's Special Destiny: poof - angels feel empty inside and disappear
Real Earth: fire is high-technology
Daniel: Nope
The Pigeon: She was back - and she was free as a ...
Ship of Lights: Nope
Lord Iblis: Nope
A Crazy 8 shoots someone: Of course! Gratuitous Boomer Slaughter
Timeline Jump: Forward 150,000 years
Roslin Dies: Yes, sweetly
Galactica is destroyed: Into the Sun (my idea)
Magic Viper: Angels need them - they come with a cosmic warranty
Tyrol continues to wear figure-flattering orange jumpsuit: thankfully no
Who Dies: Cavil (one of them anyway), various Marines, Centurions old and new, and redshirts, and Tory!
Hot Dog: Survives the Colony but we don't see him again

I rated the ep based upon this scale below. It goes from the negative to 13, high number being best. Anything below a 6 is bad, below 4 is shameful, above 7 is good, above 10 is excellent.



Here is the full review (it's a long one):
They added an extra 11 minutes to this 2-hour finale. Not only was that extraneous, but they could have probably cut another 25 minutes. Yikes. Talk about self-indulgent. But I'll get to that at the end of the blow-by-blow. Triumph the Insult Comic Dog may threaten to "poop on you" but Ron Moore had Adama barf on us. Yuck. I won't show the vulgar, needless image.

Extra-long recap to open the ep, then a beautiful sweeping nighttime flyover of the colorful, Bladerunner-esque Flashback City, er I mean Caprica City and on into a strip club - the music was different, my guess the Caprica theme. Some strange overracting by Michael Hogan (did the director tell him to yell that loud?) and they talk about Adama's retirement.

Ellen is there. Then we transition to the dinner with Lee, Kara and Zak and like most of the Part II's in this series it is better than the Part I. Kara's initial interest in Lee is sparked and we learn some interesting but not necessary family dynamic between Lee and his father Bill Adama. This serves to bookend the series with what started in the mini but does little else. The drinking theme takes over and it becomes the throughline for these flashbacks ... Roslin has her blind date with a tall, handsome youngish man who turns out to have been one of her students (more wine please) ... Adama is pounding shots and tries to get Tigh to admit he'd take the desk job Adama has been offered but Tigh won't answer which is his answer ...

Zak is passing out after the dinner party and Kara and Lee put him to bed on the couch ... we finish with a real lovely shot of Adama in an alley barfing on himself and then his POV of the stars and we transition to present-day and the fleet.

We see one of the transport vessels and Colonial One leaving the Galactica launch Pod, then we switch to Baltar sitting alone in the now empty Baltarzone. Head Six appears and she tells Baltar again that he is following "God's plan" and what is it he asks, "to take charge of the remainder of humanity and lead them all to their end" she says ... and he finally asks, "end of what?"

Roslin gets her final meds from Doc Cottle and we find out she has about 48 hours. A touching scene with more amazing Mary McDonnell acting and one of the best lines in the whole series as Cottle gets choked up, she tells him "Don't spoil your image, go light a cigarette and go grumble." Aces.

Helo is now the Cag and all the pilots volunteer for the threading a needle while riding a roller coaster mission, and Athena shoots him a small smile, so they must be on the mend as a couple. All layers of planning are shown, Cylons and Kara with Sam, Lee with the Quorum(?), Adama with his officers ... it's all about the attack on Cavil and Colony now. Knowitall Ellen says that Sam needs to be networked with Galactica and once in range he should be able to communicate with the Colony's Hybrids - info-dump Round One. [er, why can't they just consult with the rebel Base Ship's Hybrid?]

Adama turns over his command insignia to .... Lt. Hoshi (brakes screeeeeeeeeech) ... who is put in charge of the Base Ship and the fleet. Cue Countdown Clock: "If we don't meet you at the rendezvous point in 12 hours, we won't be coming. Thank you, Admiral Hoshi." Adama goes straight into C&C where Sam's tank has been put in the upper deck sporting cables galore and cool red glowy Cylon panels show he's being put in charge - they plug him in and lights flicker all up and down the ship - including red lights. We cut to Lee escorting Romo to the "last Raptor out" with Admiral Hoshi, and some banter tells us Romo is now president of the Colonies. I'm serious. Baltar shows up with the GroupieGirlz and tells them, "I don't belong to you," and finally ditches that dreary bunch - at last the subplot that wouldn't die is dead! [but it never should have lived in the first place]. Lee throws Baltar a big rifle. A Six extra in the platinum wig marches a battalion of CGI Centurions down the hangar bay - and they have been festooned with sashes of red paint (don't ask). Admiral Hoshi calls over from the Base Ship and they are sent on their merry way - not to interfere with the big Galactica battle scene for our audience's finale. Roslin is going to work triage in the medical bay, and, amazingly, there seem to be plenty of sterile sheets and medical supplies all these years later.

The Galactica check-off ensues and we see all aspects: Raptors in the gift shop landing pod (I guess they'll bust through the glass), Marines, Centurions, and Baltar and Caprica Six find each other but it's a bit of a cool reunion - and utterly contrived. Adama's last speech on the phone-thingy, "This is the Admiral ..." really? Does Hoshi know? They spool up for the perfect-throw jump to the Colony.
JUMP

We see a quick overlay of the Colony appearing - growing - then zero in on the "mouth" and JUMP there is Galactica, and BIG GUNS start firing (conventional ballistic weapons still - even on the Colony?) ... Galactica is lit up - almost orange from so many strikes - cool CGI here - then MommaCylonEllen leans down and says, "It's time, Sam" and he sends out Final Fiver Hybrid love waves to the (single?) Colony Hybrid and she feels him, and her cool blue tank and light turns red like Sam's and the Colony guns stop. The new female communications specialist who took over for Lt. Hoshi in C&C says the Colony will be launching Raiders. Really? Wouldn't Sam-ized Colony Hybrid stop that? Does not compute

Then Tigh says, "lauch all wings" and we see all kinds of Vipers come screeching out of Galactica (first continuity error, they cannibalized all the launch mechanisms save for one in Part I). Then, ramming speed, sure enough they plow the Galactica right into Colony and they - punch through. Really? We never hear that they did recon to find out the specifics of the Colony - the thickness of its shell perhaps. The Raiders in the gift shop FTL'd into space and
start their strafing run - the whole issue of FTLing near the Galactica (and certainly from inside) is ignored. I guess for several episodes Adama had to ponder the strength of the buckling support members and yet here at the end FTLing from inside a pod and ramming the ship into a many-miles-wide base isn't a worry. I can suspend disbelief but I can't suspend logic. Cylon raiders pour out of the Colony and inside where she's punched through, the Galactica blows some hatches that luckily weren't bent and crumpled by the impact and goodguy Centurions (moving real fast now) and Lee and Marines descend and there is gravity and they quickly make their way into red-light-paneled corridors. The humans wear EVA suits, then we hear "We've got pressure," and Lee orders them to take off their helmets - I guess "pressure" is breathable air and why have the added protection of a helmet when your hair can flow free? Then the Kara, Helo, Athena, Racetrack, etc. Raptor wing dodges zillions of asteroids and poor Cartwheel hits one. Adama said it was too dangerous for Helo and Athena to go look for Hera but they can do this? Rrrrriiight

Racetrack's co-pilot, a rare black guy, starts bantering and a nasty little rock pierces their windshield and splatters his brains ... didn't you listen to Chef in South Park: Bigger, Longer, Uncut? The black guy always dies. The surviving Raptors land on some flat area on the Colony and use welding torches to cut through - metal? When Galactica punched through the shell of the Colony it looked like ceramic or beetle shell. Instantly Kara and her assault team, sporting spiffy black ops black uniforms, race through the giant 60s giant-bubble-wrap-lava-lamp corridors - guns aimed.

Simon is using a metal Silly-Straw to touch the sedated Hera's head (doesn't look any cutting has been done yet) and Boomer is now uber-maternal. The Colony is coming down around us she proclaims to which Simon dismissively retorts, "In the end it's all about mathematics, we have superior numbers," superior weapons, etc. Cue Cylon-on-Cylon neck snap. Sorry Rick Worthy, the black guy always dies. Back in the corridors old model Centurions fight alongside the newer models (of course no explanation) and now the red stripes have a meaning - to let the humans know who's on their side. The CGI here is iffy, the Centurions move much too fast and why the hand-to-hand combat when they could fire weapons? Cavil, Doral and another Simon (how long have you got buddy?) find the dead doctor Simon and once again Cavil shows himself to be a pathetic military planner, he admits he "miscalculated" Boomer's actions.

The Galactica is rocked about endlessly, Roslin still waits in an empty sickbay for the carnage to come. Caprica Six and Baltar have some forced, stilted exchange about how she is now "proud" of him for putting himself in the line of fire. They look into each others eyes - the spark is still there. He grabs her and lays on a passionate kiss. Voiceover of Head-Six and they both look and see Head-Six (red dress) and Head-Balter and they say - in unison - "You hold the future of Cylons and humans in your hands." You know how you see someone do something embarrassing and you end up feeling embarrassed? This does not work. It is really awkward.

More Kara/Helo/Athea Squad prowling the same corridors (did they only build like three of these?) and here comes Boomer out of the spent ammo fog holding a big Hera (that girl grew!). She gives her over to Athena and tells Athena to tell Adama she owed him one, and once again a Crazy 8 has to pull the trigger and Athena wastes her. Um, okay - gratuitous, but I guess you can check one off your list. Aaaannd Flaaaaashback: Adama and Tigh lecture Boomer for her poor landings (linking back to the mini again) and we get the set-up about her owing him one. There, tied in a bow.

Screams and blood as the injured now pour into the medical bay and Roslin is still wearing that silly wig even with the chaos and her bloody hands. War is an ugly business and she just doesn't want to put that "X" on the the foreheads of the ones who won't make it.

Back to the corridors and Kara is still weilding that gun like a kid who is overacting while they play cops and robbers. They meet up with Lee's squad (kinda like during the Gaeta coup when they found Tigh and Adama) and they see the objective of the mission, little, well medium, Hera (what is she 8 now?) and retrace their steps. Back on Galactica C&C Adama and Tigh bark into the old phone-thingies and Tigh sends the "red-stripes" Centurions to repel the attack by Cavil's forces who penetrated deck 21 and Adama says "ETA five minutes" for Lee's return with Hera, et al (guess it's a quick climb back up those ropes?). And lickety-split they're back on the Galactica, coming round the corridor where they find Caprica Six and Baltar shooting at things. Lee gives a half-ounce of appreciation, then some more sloppy CGI work as newer model Centurions in pursuit are waylaid by rifle fire in a manner a human body might fall (too fast for such heavy robots to recoil like that). A Doral rounds a corner and takes out a marine and hits Helo in an artery in the leg and Hera runs off.

Roslin, shell-shocked, sits outside Medlab and shoots herself up with some drugs and has a quickie Opera-House flash and knows instantly Hera is back and instinctively knows which way to go (Roslin's connection to her will never be explained).

Athena runs after Hera after shouting at Helo, "You'll bleed out," "Go!" Helo orders. And the Opera House intercuts, Hera running down the Opera House corridors and then the real corridors, bodies and bullets everywhere but she is strangely calm - I couldn't help but thinking of C3PO and R2D2 in the first and best Star Wars movie crossing that corridor with all the laser fire zipping about but none hitting them. Druggy, dying Roslin lumbers about looking for Hera.

Music rises with an all-is-lost theme as Cavil now marches Galactica's corridors with his Centurion army. Roslin finally catches up to Hera and we see her Opera House visions and she gathers her up in the Galactica corridor and shields her and hides her. Cavil and his forces go by and when Roslin looks down Hera is gone. Cue Baltar and Six for their Opera House turn (is this a ride?) Baltar checks his ammo, "I'm empty" "Two rounds" responds Cap6. Baltar and Cap6 then turn to see that standing there shielding her ears is Hera. Roslin gamely limps about and finds Athena as they close in and at last the Opera House montage comes together as they traverse through the Galactica in time with the Opera House visions - matching as Roslin and Athena get their too late as Cap6 and Baltar swoop her up and take her "inside" - are they all projecting? Inside the "Opera House" is a scene of bloody carnage on the Galactica C&C - with Adama kicking down a neck-blood-spurting Simon. In Opera-House vision overlay, Baltar and Cap6 look up at the upper deck where Ellen, Tigh, Tyrol, Tory and Anders in his tank are and we cut back-and-forth to the glowing robes Final Five on the balcony. This few minutes is far superior to anything else so far this ep.

Scccrreeeeeeeeeeccchhh. Not so fast. Suddenly Cavil is there (where did he step forward from?) and gets Hera in a headlock and has a gun to her head. Everyone else aims as Cavil and rather than in the trial scene at the end of Season 3 now we get Baltar's big monologue. "I see angels" and standing Stage Right are Head-Six and Head-Baltar (oh dear). For some reason Cavil entertains Baltar's ramblings about some larger force being at work and how it all must end, the cycle of death and conflict blah blah. Tigh intones, "We'll give you resurrection." Oh, he remembers now? To which Ellen retorts, "Saul!" as of he'd farted at the dinner table or something. Tigh says end the war for now and all time. Cavil says he can do something about it right now and asks for the Galactica-actual phone-thingy and says, "This is Cavil. All forces stand-down." Er, who was he talking to? The phone just had a direct line to the Colony brain? Hot Dog (aaaargghh, he still lives?!) calls in from dodging asteroids and tells them the fight is over. The Deal is struck, Cavil will just leave the humans alone and get resurrection in return. [gee, if he'd only guarded the Hub with 20 Base Ships .... hmmm]

Ellen, Tigh, Tory and Tyrol stand around Sam's tank and are going to touch the water and they will be joined in the data-stream so they can piece together resurrection technology to transfer to Cavil. Tory is very nervous because they'll all know everything about one another and find out she killed Callie. They touch the water and things go red again and now a Simon is on the phone (wow, you're still here?) to the Colony and says "We're getting the designs, it looks right." Then Tyrol and the others have flashbacks (very brief) and all see Tory killing Callie and Tryol becomes enraged at this and pulls his hand from the water and Sam and Colony Hybrid scream. Tryol grabs Tory by the neck and all can clearly see what is happening but Doral shouts, "It's a trick" "Open fire" from somebody else and more needless carnage and fake drama. Tory is dead dead dead, and this from a guy who was with her 2000 years previously and didn't really love Callie and boo-hooed about that constantly. During the eruption of gunfire Cavil decides to eat a bullet. You read that right, he stuck a gun in his mouth and killed himself. There simply is no explanation. It steps completely outside the realm of logic.

Then we cut to outside the Colony where Racetrack's Raptor is slowly rotating and a little rock bangs it and we see, oh Racetrack is dead too yet the nudge knocks her hands down onto the launch-nuclear-weapons button (I guess when the windshield broke it let gravity pour in) ... and an array of nukes heads for the Colony. BoomBangBOomBaby ... all up and down those arms and center it is goin' up. Camera zooms in on one of the arms and we see Galactica is lodged in there - gee how did they know it was way down that arm they wanted to make their assault? Adama tells "Starbuck" to jump the ship. Um, I thought Sam was controlling all that, and I thought it took time to "spool up."

Kara says, "There's gotta be some way outta this place," and we see a montage of her musical notes, equations, little girl memories, Hera's dots, etc. etc. and she plays the FTL keypad with the song notes for coordinates because the rendezvous point isn't in there for some reason. JUMP

... into the Kara-Lee Zak-passed-out flashback ... good exchange of Kara explaining to Lee that she's not afraid of dying - about the only compelling moment out of any of the flashbacks.

JUMP ... the Galactica heaves and pulses, almost tearing apart as it recoils from the jump - pieces flying off ... sorry CGI dept., but this looked not so top-notch (the lighting - it looked video-gamish). Back inside we see Kara's magical numbers: 1123.6536.5321 ... Tigh says, "She's broke her back, she'll never jump again." Cue The Moon as Galactica, crumbling, passes close and on toward our Earth, with Africa visible and almost no cloud cover. Then we see Galactica low in orbit over our Earth and in jumps the rest of the fleet. Cut to ships descending to Africa and then a bunch of guys laying on the grass, including Cottle. Hoshi gives his Admiral stars back to Adama. They see primitive humans and Baltar tells them that a divine hand must have put them there. Cottle tells them their DNA is compatible (he ran tests already?) President Romo talks of building cities and Lee says, nah, let's go native and as I predicted when I first started this blog, the ships were flown into the sun. Kara says a farewell to Sam first and tells him she loves him (not Lee?) and touches the water hoping for something, but nothing - best moment for Katee Sackhoff.

Adama, in full Viper pilot gear, is the last man on the old gal and looks over the huge hangar deck - which looks none the worse for wear given the battle and having its back broken (c'mon CGI guys, most of that is computer-generated - lights couldn't be out, beams askew, floors buckled?). This scene could easily have been cut.

Back on GreenGrass Tarp City (as all the fleet agreed to abandon technology and live off the land !?!?) the endless ending shows us Roslin dying, Lee and Kara together, Tyrol going off to Scotland by himself, and Ellen and Tigh having flashbacks to the strip joint and Adama flashbacks to the job interview where he had to take a lie-detector test, "Are you a Cylon?" [this brief moment was interesting] Then Adama loads up last-moments-Roslin and takes her to Valhalla in the Raptor and Adama is either going to crash it or jump it into the sun or live alone somewhere because it was a farewell with finality to Lee and Kara. Kara then tells Lee she's going for good too and we Flaaaashback to Zak-Lee-Kara drunk-post-dinner-doing-shots where Kara "double-dog" dares him to do her on the table right then and there (was she channeling Ellen?). This bit was just cringe-worthy.

Kara and Lee then stand on the Windows XP landscape with the sweeping green grass and he talks about exploring and then turns around the huge grassy expanse and she is gone. So it's 3 angels: Head-Six, Head-Baltar, and Kara. Lee then wakes up in his place on Caprica/flashback and the pigeon is there on the table and shows itself out, flying out the open kitchen door. You know what I think of that from above.

Flashback to Laura's blind-date on Caprica and she's had second thoughts and tells the hunk to take a hike, then calls Adar's rep and says she'll join the campaign. So.

The rest is just the endless ending not ending! Romo counting hippies, er, live-off-the-land humans. More green fields, Helo with a walking stick (he lives!), Hera and Athena. Baltar and Caprica Six looking on and the final appearance of Head-Six and Head-Baltar (or so we think) giving the real ones the kiss-off. Hera in 60s solarization - the Earth-child-divine-mother-whatever.

Fast-forward 150,000 years (no, for real) and now Head-Six and Head-Baltar are snarkily wondering if the cycle will repeat as they walk around New York City. They reference "god" again, so I guess we're left with the impression that there is really a god and really are angels and Kara, Head-Six and Head-Baltar were angels.

This was so strange - really, it was like watching a completely different show than what I watched when I first viewed the minseries. It's like they aren't even the same show. What Moore did was connect-the-dots with his plot-points but it was not satisfying, it was infuriating and at times ridiculous. If ever there were an example of a writer being in way too deep to see the forest for the trees, you witnessed it with Daybreak, Pt. II.

I hate to say it, because I really wanted to have the show redeem itself from its wrong-way-Betty problems of Season 4 and especially Season 4.5, but I must say the finale was awful. A mighty let-down.

2nd Viewing Review [rebroadcast on SciFi 3/27]
I wish I could say I enjoyed it better. I did not. I just kept finding more weak points. This time Bear's music really bugged me - I found it overly mushy and too same-sounding throughout. I also noticed that I thought the Sam-taking-over lighting effects seemed cheap - simple strobes as if someone was standing their flicking a switch on-and-off rather than a random pattern. I was annoyed that the ships looked in such good condition when they formed up to fly into the sun - especially the rebuilt Zephyr (all that effort to repair its ring and its crew is going to go Native and give it up? rrriiiight)

I'm surprised Michael Hall hasn't done an extensive post about this: I noticed in one shot in "Africa" were a stand of Birch trees - native to cooler northern climes. [I know, it was the Canadian outback within driving distance of the studio]

What really shocked me is that when they did finally cut to people on Earth it was Cottle and the gang laying prone rather than a stand of taller green grass and Lee, Laura, Kara and Adama (sans Billy of course) at night looking at the stars, reprising the scene from the Temple of Athena (that would have been a goosebumps moment).

When Adama tells Lee as he leaves "I don't have much time, son" they could've shown his old chest scar weeping blood from when he was slammed into the CIC console or some such.

They mention "one million light years" as the distance they traveled - I'm assuming from the Colonies to New Earth. The Milky Way is estimated to be only 100,000 light years across with 200 to 400 billion stars. So they bounced around the galaxy around 10 times or traveled from another galaxy.

And when Lee tells "president" Romo "No cities," is that not a dictator talking - wouldn't Romo the man of the law remind him that they are still a democracy and must vote on it? He just accepts Lee's explanation that the cycle must be broken without suggesting due process. I know, I quibble - Moore had to wrap it up.

Then there's the Cavil conundrums:

-Cavil wakes D'Anna at the request of the 4s, 5s, and Boomer to end the Cylon civil war. If Cavil knew all along who the Final Five were and planned to simply wipe out all humans so they wouldn't get in the way of his goal to be a better machine, why would he entertain such a request at all, ever?

-Cavil's key mistake (and I think other than bringing Ellen back the key mistake of the show) is his poor guarding of the Hub. The ability to resurrect is the key strategic asset and legacy asset for Cylons (in terms of perpetuating their civilization) and he only guarded it with 2 Base Ships when we are led to believe there are tens or hundreds or even thousands out there. He could have formed a shell of Base ships around it. In losing the Hub his focus went from offense to defense - needing assets from the enemy to regain resurrection technology (The Final Five and/or Hera). This is an unforgivable weakness in the story construction.

-Then after the Hub was destroyed he seemingly made no attempt to kidnap Hera until Ellen showed up unexpectedly and he laid his trap with his "pet 8" ... he could have also sought to kidnap the Final Four still in the fleet since he knew who they were.

-Cavil listens to Baltar's angel speech. Cavil wanted to be a better machine and knew Baltar to be a self-serving atheist and it defies logic that he would entertain his religious pleadings even for a moment (other than Moore the writer wanted it that way).

-Cavil eats a bullet. I've read that Dean Stockwell suggested that. It reminded me of a David Lynch moment ... and had they gone even crazier with the lighting and music and chaos it could have worked on that level, otherwise it just makes zero sense.

The last thing that sticks in my craw is the voiceover of how the Centurions "were given their freedom" and let go on the Base Ship and the "2s,6s and 8s agreed to live" on new Earth ... yet there is no mention of the 1s, 4s and 5s. What happened to them?

FUN STUFF

Here are some fun images I made for the blog. Below I've also included other images I've found on various websites and blogs and boards (sorry I didn't log who made them - feel free to take credit in comments for your work if you see it). Click for larger images.

FINALE SPOILERS & SPECULATION

[warning: deductive reasoning applied here]
The release (through PR) of these promo images [Nos. 5,6,7,8, 10 below] let us make some deductions about what we'll see in Daybreak, Pt. II. First, we know we'll see some kind of big space battle (one which is totally unnecessary, mind you, if Cavil had only guarded the Hub better ... but, hey, this show needs a whiz-bang ending). We know HybridSam will make that perfect throw. We know Roslin probably finally dies, perhaps alone on the Galactica - having been forgotten or left behind (or it's a fake-out and someone takes her on a Raider). From other promo images floating around (in some cases for months) We know that Cavil, Simons, Dorals (and probably inhibitor-chipped Centurions) board the Galactica. The only reason they would do this is to kidnap Ellen and/or the Final Fivers for their resurrection knowledge or to retrieve Hera again for her secrets to resurrection and Cylon survival if she had been rescued and returned to the dying Galactica (which Cavil wouldn't need if only he'd protected the Hub). Third option is that Cavil sends extra models of himself and the 4s and 5s to finish the old rust-bucket off for the sheer joy of it.

We know that Caprica Six decides to stay with Baltar and fight (ah, can't you just hear Reunited and it feels so good ...?). People in the C&C are looking up: is something on dradis? Is Cavil or somebody in the upper tier? We know Helo gets a severe injury and probably dies (at last ... can't they splatter Hot Dog already while they're at it?).


Some smallish craft jumps in or out from between the attacking Cavil forces and the Galactica. And in the biggest reveal so far the Final Fivers (except Sam - who is stuck in the Galactica version of a Goo tank) and Boomer stand around something in The Colony. The supports behind the actors and the larger scale of the room allude to it being not on a Base Ship so it must be in The Colony. This is probably the big reveal scene/info-dump. It could be the remains of Daniel lying there in that tank as he gurgles out answers, looking kind of like this maybe. The FFourers look kinda sad, so I guess it's not good news. Our big grand story is probably going to boil down to Goo-Daniel, or some other higher power, telling them all that they are abominations and should all die and never recreate robots or resurrection technology again.

Cavil won't like this and has kept Daniel alive to torment him and now seeks to rub Ellen's nose in the suffering - or Cylons are a very ancient race and morphed many times and we'll hear from an ancient Cylon "god" delivering the same message. Cavil goes nuts, tries to kill the higher power and is destroyed (perhaps Hera interfaces or has her eyes read by a Centurion and directs them to revolt). Moore is throwing buckets of cold water on the Daniel angle, and if he's telling the truth then the Daniel thing has been an epic fail - a horrific retcon.

As I've pointed out on the SciFi message boards there was no need for a Daniel character to be introduced at all. Ellen could have just said, "I like the number seven and kept if for myself," and no character, nor the audience, would have questioned it - she's a floozy boozy whackjob when she's not CylonMotherGodWhoKnowsAll - the numbering problem solved.

Our survivors of course limp off to real Earth. Groovy. Then the issue becomes when?

BATTLESTAR THE TELENOVELA

Ron Moore seemed overwhelmed by the complex array of plot threads he'd created and left dangling over 3+ seasons and the mini so as he set about to write his finale he switched from seeking to explain the story to giving us a telenovela.

Here are some other sample titles we could use:La Verdad Oculta (The Hidden Truth)
Querida Enemiga de Roboto- (Dearest Robot Enemy)

Here is Moore's exact quote:

"In the writers’ room, we spent the first day [of breaking that episode] in a lot of difficulty, a lot of frustration. We sort of knew what the plot was, we knew the action story, we knew the plot of the finale. We spent that whole first day just struggling with the mechanics of the plot, how you got from A to B. We were spinning our wheels. I went home and I was in the shower and I had this “Duh” moment – the show was never about that. That’s not why I love the show. It’s not about the plot. I went into the writers’ room the next day and wrote on the big dry-erase board, 'It’s the characters, stupid,' and the writers laughed and we all sat back and said, 'Who gives a [expletive] about the plot? Let’s just talk about these characters.'”

SciFi's big ad campaign has been You Will Know the Truth .... will we?

PODCASTS DON'T COUNT

Technology has given us new ways to take in media content and also to interract with it, but a performance piece - whether it be music, film, television, comedy stand-up, performance art, whathaveyou can still be defined as a single work from its beginning to its end. A real artsy-fartsy modern art live installation with performers might be open-ended to explore time as a factor in the perception of it as art, but they tell you so.

With a television episode we can expect that what makes it to air is the completed piece of work. We all know that down-the-road there may be director's cuts, extended versions, alternate versions, deleted scenes, etc. etc. but a choice was made by the creative team as to what makes it to air and that is the completed work. Anything after that is a revised work. With Season 4 of Battlestar, especially Season 4.5 there are all kinds important, even critically important plot developments (Tyrol was thrown in the brig after freeing Boomer, mutineers were sent to prison ships) that have not made it to air but been mentioned and referenced online in forums, on blogs, in the general entertainment ethosphere. The juciest of these come from podcasts by Ron Moore. They don't count as storytelling.

And once again with Daybreak, Pt. 1 we get a synopsis on the SciFi website that includes this: "Bill Adama is in his office discussing whether or not he's going to command the battlestar one last time before his retirement." What was onscreen gave no indication of what his meeting was about, we were told by the guest actor, "It's an hour of your time." Further, once again a character behaved in a way very inconsistent with their past behavior: Kara's little dinner party for Lee and Zak had her behaving every bit like Martha Stewart. When Kara and Helo went back to her apartment after the Cylon attack (in which Kara was on a mission to retrieve the Arrow of Apollo) her place was a dump and she lived like a slob. At left is an image not in the episode but put up on the SciFi website as part of the synopsis. Here is another of Roslin walking through the park - again not shown onscreen.

"A MESSENGER SENT BY A HIGHER POWER"

re; Head-Six

RDM's own words from tonight's Last Frakkin' Special

U R THE HARBINGER OF DEATH KARA THRACE

Look familiar?


Latest trailer from SciFi (oop, SyFy) uses a favorite plot device - the trigger/switch/off button ... and it looks like Kara makes it to the console during the Cavil-Doral-Simon invasion of Galactica's C&C and turns the FTL drive (where'0'where could they be going ?? Colony mouth anyone?)

POST EXPLOSION

In about a week we all move on with our lives, so not much reason to visit here after BSG ends (but I do hope you'll stop by Battlestar: Variant 1 because I am going to finish that story and give fans the much better ending they deserve) ... so there will many posts this week. I've found some great images and will be putting those up in posts and some humor-related stuff too.
Oh, here's a close-up of Lee's pigeon:

DAYBREAK, PT. II - PREVIEW

Remember that line from Aliens? This little girl survived with no weapons and no training. To which the classic retort came, Why don't you put her in charge? It seems little Hera may have to take matters into her own hands (can they do more than draw with crayons? - Don't let her touch the lighted, watery interface panel!) But as Cartman doing the little girl on South Park reminded us, they mostly come at night - mostly... he-heh


After a crappy Season 4.5 and what is shaping up as an historically lame ending, I think many of us feel like how poor Sam here looks.

There are also some very disturbing indicators that we are going to get the it's all a virtual-reality scenario ending. The flashback sequences in Daybreak, Pt. I had direct tie-ins to what was going on in the characters' lives on Galactica: Roslin under the fountain suffering emotionally from great loss corresponded with her IV drip and her dying from cancer; Lee swatting at that pidgeon possibly related to him swatting away Baltar's entreaties to power? ... and is Baltar the instrument of peace? gah; Anders soaking in a sports rehab bath while on Galactica he's in a tub of Cylon goo plugged in as a Hybrid; and Caprica Six sitting in Baltar's lakeside pad drinking Ambrosia or some such which looks like the algae booze - swirling it so we see it.

Are we going to get the Ship of Lights aliens swooping in to save the day or to tell us it's all been a dream or simulation?

Or maybe no Ship of Lights and just introduced-late-in-ActIII Daniel emerging from behind the curtain?

WHAT'S LEFT?

From SciFi's official clue site You Will Know the Truth, by my count there are 3 outstanding clues yet to be addressed:

Clue 6 - Head-Six asks Baltar, "If you were one of the Old Gods, which one will it be?" (video clip)
Clue 7 - The Last Supper image minus Roslin (still image) - she ain't dead yet
Clue 11 - Twelve tolls of a bell (audio clip)
... and possibly a fourth clue (Clue 16), a scratchy audio clip which I deciphered to mean "Do you remember what we said on New Caprica?" - sounds like Six or Kara)

Further, there are several huge questions left outstanding:
-The meaning of the Opera House visions, and possibly the Opera House itself from the Kobol days
-The power orchestrating all of it - we've been told again and again that someone or some thing is pulling the strings
-How did Kara come back? And what is she?
-Who built the Magic Viper?
-The meaning and nature of the Head characters